Tag Archives: e-pubs

Ginnie Dare On Sale

I’ve decided, in the tradition of this great on-going electronic publishing experiment, to drop the price on the e-pub version of Ginnie Dare. Use the link below you’ll get it in e-pub and mobi/Kindle formats for $4.99 $2.49.

If you prefer to get it another way it’s available on Smashwords for $2.99 and will be available on Amazon for the same price later in the week. I don’t have an end date in mind on this, but I’ll make an announcement before the price change. Why wait though?

Lilith – A Review

This is a review of Lilith by J. Daniel Sawyer. The short story can be found here.

The Bible as it stands tells us that in the beginning God created one man and one woman, Adam and Eve. There is a tradition however, in texts from the Middle Ages, that God created an equal to Adam and her name was Lilith. In the short story, or rightly classified faeirie tale, by Dan Sawyer we get to see what she might have been like had she existed.

I first got to hear this story in podcast form. If you’re not familiar with Dan’s podcast work I highly recommend it, particularly Down From Ten. You can find it all at his site http://jdsawyer.net/. Why, you may rightly ask, would I go through the expense, however minimal, of buying a short story I’ve already heard? Well, that’s a good question. I think that some stories benefit from being read in addition to being heard. There’s also the matter of thanking an author for an excellent story by buying it where there’s opportunity. My purchase of Lilith is actually a result of both.

There’s a fair amount of sex in this story, though much of it is less about titillation than it is about power. Sexual politics is at the core of this story. The struggle for equality, the different roles and gifts that men and women have, things that have been plaguing relationships since perhaps the very beginning of civilization are played out in these three thousand plus words. Of course all of this is filtered through Lilith’s point of view and like any first person narrative you have to ask yourself how reliable a witness she is. She does, after all, represent chaos and all of the pros and cons that involves.

Like any good fiction, this story raises a good deal of questions about our own reality and our relationships with others. Does Lilith fall into the same traps that some men do in achieving her desires? She holds the Voice, the creator of the universe, responsible for the state of things. We strive to do the same with God, hesitant to take responsibility for our own actions. Is that warranted? There’s a lot more I could say, but that risks revealing things about Dan’s story that I’d rather you discover for yourself.

If you’re looking for a provocative and interesting tale for your e-reader then I can definitely recommend this one. When you’ve read it make sure you reach out to Dan and let him know what you think. Then drop me a line and we can talk about the rest of the story.

I give Lilith four and a half out of five Golden Delicious.

And Then She Was Gone – A Review

I was thoroughly pleased when Dan Sawyer offered to send me a reviewer’s copy of And Then She Was Gone. I enjoy his writing style and I’m also a fan of detective stories, so I couldn’t wait to see what he was going to do with it. It also gave me something else to put on my iPhone to continue testing it as an e-reader. Yes, Dan’s publishing it as an e-book and selling it through Amazon and Smashwords. Add to that, for me as a publisher, it’s always exciting to see authors continuing to test the electronic publishing space as a first, rather than a last, resort.

So, onto the review. There’s a lot of “noir” in this. While I’m no expert on the genre, I’ve seen my share of takes on it both light hearted and traditional. It has all of the elements you might expect. Clarke Lantham is a private eye and the story is told in first person. He has a girl Friday and the story opens with an attractive woman walking into his office. It also has the sort of content that would be considered “lurid” enough for a twenty-first century audience. If all of this seems a bit too “on the nose”, for me at least it was ameliorated by a thoroughly modern take on these elements.

Lantham is a very fallible detective, prone to errors in judgment and very human, believable motives. He’s hardly the iron jawed detective I recall from my exposure to the genre. His office assistant, a grad student working through her interneship, kicks his butt as much as she helps him out. While a bit of sass might be expected from a P.I.’s secretary, Rachel’s hardly satisfied to stay in that role. Finally, the good looking, wealthy client you’d expect to see is interested in finding out what’s happened to her daughter. I can’t recall having seen a noir with an over-protective soccer mom as the P.I.’s client so that’s anohter nice twist on the genre.

Speaking of twists, the trail that the various clues Lantham uncovers leads him down a dark and convoluted path. From a bondage clubs and patrol cars to wealthy neighborhoods and universities, he covers the depth and breadth of San Francisco. I won’t give anymore away, save to say where it ends up isn’t anywhere near where I thought it would go. That’s actually something I’ve come to expect from Dan’s work.

So what’s to like? The thing about first person narratives is that you spend a lot of time in one person’s head. You don’t necessarily have to like that narrator, though that often helps, but they have to be interesting. There isn’t much to like about Lantham. He’s not exactly cuddly. He’s not afraid to lie, steal, or do (almost) anything to get the job done. When he gets roughed up, shot at, or otherwise abused I wasn’t really broken up about it. In fact those were some of the more fun bits of story. Still, Dan has a knack for taking a jerk like this and making him interesting enough for you to care about what he’s doing and what happens to him.

The other thing that really appealed to me about this book was its sense of realism. I get the sense from what I know of Dan that he’s a research junkie. Whether or not that’s the case, he’s very thorough. Upon finishing this story, I was left with a sense of what it feels like to be a detective in our modern age. Lantham’s use of technology, particularly hacking Facebook accounts, data mining, and the ubiquitous cellphone, appeals to a geek like me. He also takes advantage of (literally and figuratively) a number of experts. As much as I like detectives such as Sherlock Holmes, having a protagonist with a less than exhaustive knowledge of everything under the sun is good as well.

I only have a couple of gripes with this on the whole, one minor and one major. First, there’s a question of language. Dan does love his F-bomb. While cursing generally doesn’t bother me in fiction or in life, it can get distracting here. I suppose in this case it can be defended as realistic given the gritty nature of the tale in question, but it still seemed excessive. That’s the minor quibble though and for some, perhaps most, it might not be an issue at all.

The bigger problem I have, and I don’t want to give anything crucial away so I’ll be a little obtuse, is a matter of science that’s a large plot point. I’m no scientist and I’m not up on my research in this area. However, given how realistic the rest of the story seems, the tech in question strikes me as being more at home in the realm of science fiction. While it doesn’t hurt the story per se, it was jarring.

Is the story worth the price of admission? This e-book costs $3.20. In a market where authors/publishers/consumers are still trying to figure out what an electronic product is worth you see prices all over the place. You can get a lot of fiction for free and quite a bit for $.99. A lot of those examples are worth exactly what you’re asked to pay. I think in this case, if you aren’t a reader that’s bothered with the language, it’s a good investment. It’s a quick read and one that I think would bear up under multiple readings. I give it four out of five Maltese Falcons.

May You Live in Interesting Times

Ordinarily this is called the “Chinese Curse” and is looked on as a bad thing. As artists we do indeed live in interesting times and I suppose it can be good or bad. Let me ‘splain.

No, there is too much. Let me sum up.

On the writing side of the house royalties are going down as are advances. Slush piles are going up, up, up. It can be difficult to cut through all the noise and make yourself heard. I can only assume based on what I’m hearing that the same is true in the other disciplines. So it may be tempting to say that it’s more difficult to “make it”, all of course depending on what you mean by that.

However, interesting times such as these often separate the adults from the children (to update the adage). I can point to a few people in my sphere that are coming down squarely on the former side of the knife.

Ed Talbot – He had joined the growing number of folks using Smashwords to publish some of his content. To that end he had a “Mayday” promotion (that I missed participating in) to launch two collections of short stories. While using Smashwords isn’t particularly new, he’s the first author I’m aware of to promote publishing there in the way he did. I’ve read a few of those stories and can highly recommend dropping at least $.99 on one or the other if not both.

Jennifer Hudock – Jenny is another author I’m aware of using Smashwords to get her stuff out there. She’s building a short story collection there called Dark Journeys. She’s also putting together an anthology called The Dark Side, releasing a podcast novel called Goblin Market and she and future hubby James Melzer (no stranger to self publishing and soon to be published by Simon and Schuster) have put together The Creative Alliance.

Zach Ricks – The Mad Poet himself has self published his Mad Poet Files short stories through the Amazon Kindle store. This collection is certainly one for you to buy. It’s got great science fiction and fantasy stories and while I haven’t read them all, I can say that “Blood Red Sand” is my favorite Martian short since Bradbury’s Chronicles and that plus a fantasy story where the main characters are inspired by the A-Team earns my seal of approval. He and a few other forward thinkers are also jawing about a new way of delivering content that, if it all works out, will blow your doors off.

Seth Harwood – While I haven’t waxed poetic about him here, Seth’s crime novel Young Junius is coming to print very soon. Taking an idea from the FDO himself, Seth is releasing the novel in a beautiful, limited edition print, which he and his publisher will then use to kick off a standard full scale print run in the Fall.

Phil Rossi – On the music side of the house, author and musician Phil Rossi is in the midst of pre-selling an EP called Radio Silence. I’ve pre-ordered it and I think you should too.

Brand Gamblin – A vidcaster, podcaster, and author, Brand has done just about everything with his young adult, science fiction novel Tumbler that I can think of. He’s used CreateSpace to put it in print. He podcast it. He’s got it in a variety of e-book formats. You can get it now on Amazon, but if you love him you’ll get it here. Or if you’re gonna be at Balticon in two weeks (W00T!!!!!!!) you can buy a signed copy there.

And just in case you missed it, there are two authors whose work I respect and admire that have used social media/podcasting to get their books published and they will be available in the near future.

Honorary Admiral (in my mind and that of many others) Nathan Lowell is getting published by Ridan Publishing. Apparently they, unlike many publishers, work very well and very closely with their authors to find the most mutually beneficial path and according to Nathan cooperating with them has been beautiful.

P.G. Holyfield, whom I consider to be a good friend, will be launching Murder at Avedon Hill THIS WEEKEND!!! It’s being published by podcaster friendly Dragon Moon Press and all I can say is it’s about time!!

So these are just a FEW people who have used, are using, and I hope will continue to use the interesting times afoot to really break the boundaries of traditional publishing and are redefining what it means to “make it”. Sure, self publishing is nothing new, but all things considered I believe that it is gaining a certain amount of ground and losing the stigma long attached to it by many. I hope this is a launch pad to great things for them all and I hope that I’ve dropped some new names on your plate and that you will check them all out.