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Just wanted to drop a quick note on two things that have happened recently.

First, I dropped the new, extended version of “Fetch” on Smashwords. You can check it out here. The first half is available for you to read or you can listen to the audio version on the Every Photo Tells site. They were kind enough to drop a blog post about it today, too.

Second, JC Hutchins, author of 7th Son and Personal Effects: Dark Arts, had myself and Zach Ricks on his podcast to talk about Flying Island Press. It was a blast and you should listen to it ASAP.

I had the privilege of attending Balticon 44, a science fiction/fantasy writer’s convention in Baltimore, MD, on Memorial Day weekend. This was my second outing and I’ll continue to attend annually as scheduling and finances allow. Why’s that?

Well it seems to be the place to go for writers who also podcast. The first year I went I got to meet very nearly all of the podcasting authors whose works I appreciate. There are a number of excellent panels every year on everything from sound production to writing and the sheer number of live readings and live shows scheduled is staggering. There just isn’t enough time over the weekend to do everything.

That’s not the main reason I go though. It has become something of a family reunion for me. Now don’t mistake me, I don’t know a tenth of the people I see as well as I’d like and I don’t want to cheapen the notion of friendship or family, but really that’s the way it feels to me. Whether meeting someone in person for the first time or reconnecting with someone I saw last year, there was an instant bond. Part of that is assisted by mutual passions and of course most of us keep in touch through the magic of Twitter. So it’s “instant” only in the same sense that folks like Scott Sigler are an “overnight” success.

In any event, sociology aside, the people are the major reason I go. Sadly I have yet to spend any real time talking to Chris Lester either year. I also missed some excellent panels and readings. Rather than focusing on missed opportunities though, I’d rather touch on the highlights.

I got to meet and share drinks with some awesome producers and fans (in some case the same folks). Sharing mojitos with Paul Cooley, Laura Frechette, Dave Sobkowiak, and Kate Sherrod was EPIC!

I had taken a wingman with me in the form and shape of co-producer Shawn Murphy aka SidFaiwu, but when he was off doing his own thing I had the good fortune of meeting Mike Plested in person and spending a lot of time talking to him. Mike’s a great guy. He put up with my digs at Canada and took a number of the pics you’ll see on Flickr of the event. He also interviewed Zach Ricks and I about Flying Island Press and our launch of Flagship.

I took some of my homebrew and shared it with Thomas Gideon and John Williams. They’re PASSIONATE home brewers in their own rights and we hope to have a home brew panel at next year’s Balticon.

I also met, hugged, and exchanged a word or two with Dan Sawyer. He and I have traded plenty of emails and blog comments. I’m also a big fan of his writing style and appreciate the wealth of knowledge he has on audio and a number of other topics. If you’re a new media person then you should REALLY check out the ANMAP Foundation that he’s set up with some other creatives.

There were plenty of larger form geek social gatherings (not an oxymoron) like the Geek Prom (with awesome food thanks to Viv!), room parties galore, and a concert or three. I got to see Book launches by Patrick McLean, PG Holyfield, and Nathan Lowell. I got to buy Tumbler, a most excellent YA sci-fi novel by Brand Gamblin. Jared Axelrod launched Fables of the Flying City (unaffiliated with the Flying Island).

There was just too much going on to get it all in or even to mention it all in one blog post. At least not without boring you to tears. I wasn’t on any panels this year (though if you listen to Mur Lafferty’s live I Should Be Writing, I think you’ll hear me towards the end). Perhaps next year I’ll be on one or two. In any case I hope that if you haven’t been to one and any of this sounds cool to you that you’ll go next year and good Lord willing I’ll be there!

Ordinarily this is called the “Chinese Curse” and is looked on as a bad thing. As artists we do indeed live in interesting times and I suppose it can be good or bad. Let me ‘splain.

No, there is too much. Let me sum up.

On the writing side of the house royalties are going down as are advances. Slush piles are going up, up, up. It can be difficult to cut through all the noise and make yourself heard. I can only assume based on what I’m hearing that the same is true in the other disciplines. So it may be tempting to say that it’s more difficult to “make it”, all of course depending on what you mean by that.

However, interesting times such as these often separate the adults from the children (to update the adage). I can point to a few people in my sphere that are coming down squarely on the former side of the knife.

Ed Talbot – He had joined the growing number of folks using Smashwords to publish some of his content. To that end he had a “Mayday” promotion (that I missed participating in) to launch two collections of short stories. While using Smashwords isn’t particularly new, he’s the first author I’m aware of to promote publishing there in the way he did. I’ve read a few of those stories and can highly recommend dropping at least $.99 on one or the other if not both.

Jennifer Hudock – Jenny is another author I’m aware of using Smashwords to get her stuff out there. She’s building a short story collection there called Dark Journeys. She’s also putting together an anthology called The Dark Side, releasing a podcast novel called Goblin Market and she and future hubby James Melzer (no stranger to self publishing and soon to be published by Simon and Schuster) have put together The Creative Alliance.

Zach Ricks – The Mad Poet himself has self published his Mad Poet Files short stories through the Amazon Kindle store. This collection is certainly one for you to buy. It’s got great science fiction and fantasy stories and while I haven’t read them all, I can say that “Blood Red Sand” is my favorite Martian short since Bradbury’s Chronicles and that plus a fantasy story where the main characters are inspired by the A-Team earns my seal of approval. He and a few other forward thinkers are also jawing about a new way of delivering content that, if it all works out, will blow your doors off.

Seth Harwood – While I haven’t waxed poetic about him here, Seth’s crime novel Young Junius is coming to print very soon. Taking an idea from the FDO himself, Seth is releasing the novel in a beautiful, limited edition print, which he and his publisher will then use to kick off a standard full scale print run in the Fall.

Phil Rossi – On the music side of the house, author and musician Phil Rossi is in the midst of pre-selling an EP called Radio Silence. I’ve pre-ordered it and I think you should too.

Brand Gamblin – A vidcaster, podcaster, and author, Brand has done just about everything with his young adult, science fiction novel Tumbler that I can think of. He’s used CreateSpace to put it in print. He podcast it. He’s got it in a variety of e-book formats. You can get it now on Amazon, but if you love him you’ll get it here. Or if you’re gonna be at Balticon in two weeks (W00T!!!!!!!) you can buy a signed copy there.

And just in case you missed it, there are two authors whose work I respect and admire that have used social media/podcasting to get their books published and they will be available in the near future.

Honorary Admiral (in my mind and that of many others) Nathan Lowell is getting published by Ridan Publishing. Apparently they, unlike many publishers, work very well and very closely with their authors to find the most mutually beneficial path and according to Nathan cooperating with them has been beautiful.

P.G. Holyfield, whom I consider to be a good friend, will be launching Murder at Avedon Hill THIS WEEKEND!!! It’s being published by podcaster friendly Dragon Moon Press and all I can say is it’s about time!!

So these are just a FEW people who have used, are using, and I hope will continue to use the interesting times afoot to really break the boundaries of traditional publishing and are redefining what it means to “make it”. Sure, self publishing is nothing new, but all things considered I believe that it is gaining a certain amount of ground and losing the stigma long attached to it by many. I hope this is a launch pad to great things for them all and I hope that I’ve dropped some new names on your plate and that you will check them all out.