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Today I’m reviewing Babcock by Joe Cottonwood. I don’t read/listen to a lot of straight up fiction, but the review at View From Valhalla convinced me to give it a whirl.

Synopsis:A fat boy with the blues. A skinny girl who runs marathons. And a con man on the lam. If you liked Clear Heart, or if you liked Boone Barnaby, you’ll like this one, too. The themes are a bit more grown up than Boone Barnaby, but it’s still family-friendly for reading. For any age it’s my brand of writing: humane, down to earth, good-natured, sometimes funny and sometimes sad.

In short, it’s about character. About making music. About family, hard work, about love and loss. Sometimes there’s laughter. Sometimes the lights are off in the kitchen; papa’s got blues. But always life is rich and deeply moving…

Babcock is part of the San Puerco trilogy, which makes it a companion book to Boone Barnaby: same characters (plus a few new ones) and more adventures in the scrappy little town of San Puerco. The book won awards as a novel for children, but it has many adult fans, too. Most of the issues appeal to an adult perspective as well as a child’s, though with different understanding. Other issues, of course, only a young person can understand. That’s life. That’s rock and roll.

Production: Excellent audio quality. A great use of music that was apparently composed just for the book.

Grade: A

Cast: Solid voice acting on the part of all involved. Joe does a few of the voices himself as well as the narration.

Grade: B

Story: Like I said up front, this isn’t usually my literary cuppa tea. Still I’m glad I took the leap. It’s well crafted, touching, engaging, and hits every note.

Grade: A

Verdict: I will definitely be seeking out the rest of his works. I’ll probably even get my twelve year old to listen. There are one or two instances of strong words, but given the circumstances in the story I don’t have a problem with that.

Grade: A

Today I’m reviewing Compensating Controls by James Keeling.

Synopsis: Nicholas Edgwood rides a wave of good karma–a job he excels at, a new girlfriend, and a bright future. When he gets framed for a cyber-crime he did not commit, he must run for his life while his entire world crumbles around him.

Betrayal and murder replace peace and hope as he finds himself in unfamiliar territory. He may not be the biggest and baddest guy out there, but he has skills, the kind garnered from a career steeped in computers and code. Now he must leverage these skills to their fullest to stay above ground and breathing. It will take all of his talent, and courage he may not have, just to survive.

Production: Good audio quality. I don’t remember any glitches. Good use of music.

Grade: B

Cast: James does all of the voices for this production. This leads to him doing female voices as well as some accents. Interestingly enough I like his voice acting better than his straight narration.

Grade: B

Story: This is a solid techno-thriller. While you don’t have to be a geek to enjoy it, if you are one it won’t hurt. James handles the technical end of things well (since he is a geek after all). This seems like, and I believe is, a first novel. The writing could be stronger. There’s some unevenness in tone and occasional word choices that bugged me. The biggest example of the former is an interrogation scene that was more horror then thriller.

Grade: B

Verdict: This is an enjoyable podcast novel. I looked forward to each installment, even going so far as to bug James for the next one when I caught up to it. It’s wrapped up at his site and Podiobooks so you won’t have to wait as I did.

Grade: B

Time travel as a sci-fi trope is pretty haggard by this point. I got particularly tired of the various Star Trek series attempts at doing interesting things with it, but they aren’t the only culprit. So when I see a book whose central plot line relies on it, I’m skeptical. Enter Borrowed TIme by Keith Hughes.

First, let’s get the science-y bits out of the way. The way that time travel works in this universe, essentially using an app built in to a PDA to harmonize you to a future or past universe’s resonance, seems a little wonky. But then so does slingshotting around the sun or a nuclear powered DeLorean. The interesting twist in this particular tale is the farther forward or back you go, the shorter your stay can be, thus the title.

The requisite dramatic tension is supplied by the men with guns and power that are after the PDA. Very Bad Men want what Relevant has and intend to do Very Bad Things with it. They’re willing to do anything they can to get it and Relevant needs to think fast and use every skill at his disposal in addition to taking advantage of time hopping to get and keep the upper hand. It moves very quickly and kept me anticipating the next chapter.

What’s this story really about though? Is it just a good read or is there more to it? (If you want to honk a writer off, ask them that question.) Not to be corny, as the story never falls in to it that I notice, but it’s really about making the best use of time that you have with the people in your life. That’s reflected in Relevant’s relationship with the professor that invented the device as well as in his failed relationships. Lacking a time machine it’s best for us all to remember that we’re all on borrowed time.

I think this story could stand to be fleshed out a bit. I’d like to get to know the professor and Relevant a little better. I’d also like the Very Bad Men to be fleshed out a little. As it stands they’re kind of two dimensional. It works in the framework of a fast paced sci-fi thriller novella, but I’m a sucker for a well written, complex bad guy. Overall, it’s that that keeps this from being the five star book that this could be. This book is well wroth the price of admission though, and I hope you check it out!

Borrowed Time is available on Amazon and Smashwords.

Today I’m reviewing Fables of the Flying City by Jared Axelrod.

Synopsis: Ashe, a young woman from the streets of the flying city of Amperstam learns what it takes to be a member of the Aerial Guard, and finds herself at war with an invading empire and the rulers of the city she has sworn to protect!

Production: The audio here is very solid. Jared is a podcast pro. There’s no added production overhead.

Grade: B+

Cast: This is a straight read. Jared does most of it. There are a few episodes where he has a guest voice. All three voice actors do wonderful jobs with their segments. My favorite are the Hanner Gatling segments.

Grade: A

Story: This is a wonderful story. It’s a prequel for a graphic novel that will be coming out soon. He’s done a good job of setting up the world and characters. It has a very pulp, steampunk feel, but this isn’t just our world with gears tacked on. There’s some definite mystery here and this world is a different place than our own. Ashe, the protagonist is a wonderful character that we see grow and change, but as can happen from time to time, there’s an ancillary character that steals the show when she’s on stage: the afore mentioned Hanner Gatling. I’d kill for a Hanner-centric story.

Grade: A+

Verdict: This is a podcast to not be missed. I had the pleasure of being at the launch party at Balticon last year and I can say that it lived up to my own internal hype. Fair warning for those who don’t like short episodes, I think most of these clock in at about ten minutes each. Still, it’s done now so you can mainline it!

Grade: A

This week’s review is of Peace Lord of the Red Planet by Steven H. Wilson

Synopsis: Shepherd Autrey is a Quaker, a physician, and a man deeply disturbed by the madness around him as the War Between the States bears down on his America in 1863. Dared by a friend to take an active role, Shep volunteers to provide humanitarian aid to the victims of Sherman’s scorched earth campaign in the Shenandoah Valley. There he runs foul of a Confederate recruiting drive and finds himself hanged by the neck from a tree. Awakening in a strange land which can’t possibly be earth, Shep is plunged into battle and saves the life of an alien warrior prince. Hailed by bloodthirsty killers as the bravest man alive, Shep combats his conscience, his flagging faith, and an ever-growing number of people who want him dead.

Production: The sound quality was good. One of the things about Podiobooks is, there is a quality standard so you can e relatively certain that all of their podcasts will be listenable from that standpoint.

Grade: B

Cast: Apparently Steven is part of an audio drama collective over at Prometheus Radio Theatre. This isn’t a full cast though. Instead, he elects to act out each part, rather than doing a straight read. He’s more than adequate for the task, giving each character a distinctive and believable voice. His female voices are well done, earning him more than the B+ he might otherwise get.

Grade: A-

Story: This is science fiction in the vein of Edgar Rice Burroughs. One of the reviewers over at the Podiobooks site mentioned Barsoom and if you aren’t familiar with that body of work then I can highly recommend it. It’s not necessary to enjoy Steven’s work though. The story is fairly strong. It’s told in first person, as Shep relays his journeys and adventures from some point in his near future. It’s appropriate to the genre and his limited point of view helps in setting up the alien culture he’s becomes a part of. Shep and his companions develop throughout the novel and character growth is always a good thing. The ending provides some nice surprises and over all I am very happy with it.

Grade: B+

Verdict: This is an altogether well done piece of work. It raised some interesting questions and presented some fresh ideas. It left some questions unanswered and in my book that’s a plus. There were a few instances where character actions pulled me out of the story, but they were few. I give this podcast a strong recommendation.

Grade: B+

Sidebar: I’m going to take this opportunity to talk about something that’s been niggling at my mind for many moons now and that this novel brought to the fore. I’ve no idea what Steven’s philosophical or religious beliefs are. He does a more than adequate job of relating certain schools of Christian thought throughout the novel. The ending contains a certain theology that some Christians will find troubling, I’m sure. I personally don’t have a problem with it. It doesn’t hurt the story and on some level I agree with it. However, I’m curious to know if the theology in the story lines up with the author’s or if the two are disconnected. It would likely be hard to tell without listening to more of his stories (something I plan on doing) and even then it may not be an indicator.

Some authors, like yours truly, might “change up” periodically and write stories that have nothing to do with a particularly belief system, unless it’s at a very low level. Other’s believe in making every story a bully pulpit. Still others, I suppose, may remain consistent even when the stories don’t reflect their beliefs. Which one Steven is I couldn’t say. Generally speaking though, when a story with a “message” is well done I don’t necessarily mind, even if I don’t agree with the agenda in question, but it can get tiresome. That’s true even when I DO agree with it. It would be easy to point the fingers at the usual suspects, but I’ve seen this in writers from all walks. In any case, well done or not I often wonder if it’s what the author believes or if they’re just trying to make you think about an issue.

So, my question is, do stories with, what is to you, an obvious message/moral bother you and is it worth while even trying to figure out what an author may or may not believe? Also, I’d like to know of some authors that you think do it well and if you’re so inclined examples of where it’s done poorly.

I’ve long been a fan of Cory Doctorow’s work. I think it discovered him through Escape Pod, but I can’t be entirely certain. In 2008 he released a book called Little Brother and for some reason it has taken me this long to sit down and read it.

Well when I say “sit down and read it” that makes it sound like I bought a copy. I didn’t (though now I want to). Instead I opted to read it for free through Daily Lit. They’re a site that distributes books legitimately through an email subscription service. They break books up into chunks and you set how large these chunks are and how often you get them.

This is one of those books that is likely to divide readers. There are a lot of controversial things that he deals with, everything from “ethical” hacking to government mis-use of power. The book starts with you getting to know Marcus Yallow, a 17 year old High School student, who is constantly in and out of trouble thanks to his tendency to try and circumvent the many electronic security measures that are placed in his day to day life. He and his friends are cutting school to play an alternate reality game when a terrorist attack occurs nearby. They’re picked up and taken to a detention center and things go downhill rapidly from there. Ultimately, and because one of his friends remains in detention, Marcus ends up trying to take on the Department of Homeland Security using every trick in the book and quite a few he invents along the way.

I can see where this book and the things that Marcus and the DHS do to one another would hit too close to home. It talks about things like secret prisons and racial profiling and it is arguably a teaching tool for anyone who wants to learn a thing or two about the tricks Marcus uses. I got into a lively Twitter discussion about this very thing. More on that in a ‘graph or two. Strictly speaking this is a very well written science fiction piece. The characters are believable. The pacing is TIGHT, at least for the most part. Interestingly, the places where it falters are where Doctorow uses Marcus to explain some bit of tech speak for the non-techie adults in the room. That’s forgiven though to a large part because the rest of it is so well done.

I highly recommend that you check it out. You can download it for free here or buy it here. Prepare for it to change how you look at some things around you, particularly if you read the afterwords (and you should). It might also offend you, particularly if you’re like some of the characters in the books who believe that the government should go to (nearly) any lengths to capture the terrorists in our midst. I will say that’s one area that this book failed in. As I said to someone on Twitter, every techno thriller needs a boogeyman, and Doctorow uses the DHS without tweaking them too much. I’ll say that he paints the DHS agents a little too starkly, to the point where I’m surprised they aren’t wearing actual jack boots. I’m willing to cut a little slack since this is written in first person and we are getting everything filtered through the eyes of a seventeen year old.

Now on to that Twitter discussion. The question raised by that discussion was, are the methods the kids used (which caused havoc in public, on mass transit, and in other ways) justified? In spite of the fact that the intent of these kids was nothing more than peaceful protest and to point out the flaws in the system, innocent people were inconvenienced (arguably harmed) and systems that they relied on in day to day life were brought to their knees. As a result the kids were branded as terrorists and actively sought by the authorities. I suppose the question I ask myself is, if the government became like the government portrayed in this book, and depending on your POV we aren’t that far off, what would I be justified in doing to fight that government?

Three times this quote is brought up:

‘Governments are instituted among men, deriving their just powers from the consent of the governed, that whenever any form of government becomes destructive of these ends, it is the right of the people to alter or abolish it, and to institute new government, laying its foundation on such principles, and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness.’ – Declaration of Independence

That’s Marcus’ reasoning behind his willingness to do what he does. He is attempting to overthrow a form of government that has become destructive. I’d like to think that I’d be willing to do the same thing. It would inconvenience people, sure. But if the government is abusing us then that would be my right, correct?

Then I think about a website that I saw recently where someone is calling people to arms since they believe that our current government is being run by a man who isn’t even a citizen and that this could only come to pass as a part of a massive government conspiracy. I recognize the difference between open armed rebellion and kids cloning and swapping RFID cards on people, but it makes me pause none the less. I would have to be completely certain that there was no other way of dealing with the problem at hand before I took a step like that.

On a lighter note, I am certainly in support of ethical hacking. If you notice a weakness in a lock or a website or some other piece of hardware or software, I think it’s the right thing to do to bring it to the attention of the manufacturer. If they don’t do anything to fix it in a reasonable amount of time and you have some way of taking it to the next level then go for it. People will be mad at you. There will be repercussions. Those are things you need to be aware of. But it’s the right thing.

So what do you think? How far is too far when it comes to civil disobedience? Is some called for these days? I’m thinking here about those that elected to wear kilts commando/regimental style at airline checkpoints, but there are other examples. Is there some CD called for against corporations these days too?

This week’s review is of Fetidus by James Durham

Synopsis: FETIDUS: The Damned Heir by James Durham is the first sci-fi/horror novel and original music score set in the grim and fetid alleyways of a post-apocalyptic Washington, DC, circa 2034. In this first novel, Art Blanchard, a jaded Washington lobbyist who works for The Foundation for the Ethical Treatment of the Innocently Damned, Undead and Supernatural (FETIDUS), takes up the blackmail case of a mysterious woman, which leads him on a twisted adventure filled with noir-humor, suspense and horror.

Production: James does audio production for a living. He’s also a musician and composer. It shows in every bit of this podcast. He won a Parsec for it and it was deserved, even though at the time he won it, it had not yet finished. Fetidus seems not so much produced as sculpted. The music and sound effects accentuated every bit of the story.

Grade: A+

Cast: Fetidus uses a full voice cast. Most of the people involved are pros, possibly all. As such, they do a marvelous job with their various roles.

Grade: A+

Story: This is a modern noir. There’s a healthy dose of violence and sex, though the former is more explicit than the latter. There’s a lot going on here and in that sense it’s perhaps more complicated than its cinematic predecessors. Of course he injected vampires, zombies, and a horrific apocalypse into it as well. Taken all together there are times when it almost seems like too much. It’s easy to get overloaded with plot threads in addition to the world building that he’s done here. If you’re looking for a straight forward romp, this ain’t it. It also gets really, REALLY dark and there are times where the violence is a bit too much for my taste.

Grade: B+

Verdict: I heartily endorse this podcast. In case it’s not obvious I think it’s one of the top ones out there and it earned the Parsec. Odin rightly dinged it for it’s release schedule, since it did go through a reboot. There are good reasons for that that I won’t go into since they’re immaterial now. You as a new listener have the benefit of all the episodes being out there for your consumption. If you’re into noir and zombies I’m frankly surprised you haven’t already listened to it!

Grade: Solid A

This week’s review is of Other People’s Heroes by Blake M. Petit

Synopsis: Josh Corwood has spent his whole life in a world full of superheroes, even becoming a reporter just to get a little closer to their world. When he finally comes face-to-face with the Capes of his dreams, though, he realizes his ideal view may not be in synch with reality.

Production: The audio quality in this podcast is good. He made serious strides compared to his previous podcasts. I’m going to ding him here for one pet peeve of mine. Edit marks. Not infrequently, he’s guilty of leaving obvious edit marks in the episodes. This is easily rectified and according to the author he will be doing more serious QA for the Podiobooks version (which they would, of course, require). No idea if he’ll be doing the same in his own feed. For this, he loses a letter grade.

Grade: C

Cast: Blake elects to act as the voice for each of his characters and stays consistent within each character. If hearing a man do a woman’s voice irritates you then this isn’t the podcast for you, but then that would also disqualify Sigler and a number of other podcast novels. He’s a stage actor and this is to his credit as I’m sure it played a role in his being able to… play… roles.

Grade: B+

Story: This is a comic book in audio form. The characters are fairly well fleshed out (some more than others). The story is certainly enjoyable and there are a few surprises towards the end. That’s always good. If you’re looking for a serious treatise on the state of humanity at large, well there’s actually a little bit of that here. If you’re looking for an interesting take on what it would be like to live in a comic book universe, then I recommend this. It compares favorably in my mind to Playing For Keeps*.

Grade: B+

Verdict: Audio issues aside, I think this is a strong entry. It’s funny. I love the takes he has on some of the superhero/villain tropes and the world he’s constructed is very interesting. There are more stories in this universe including on that was published in Flagship. I will continue to check out Blake’s podcast projects. I might recommend waiting for the Podiobooks* version though.

Grade: B

*At the time of posting the Podiobooks site is down due to upgrades. Consider donating to help them defray costs and keep money flowing to the authors!

I’m going to start reviewing podcasts as I complete them. Since I believe in stealing only from the best I shall be using a format similar to Odin at View from Valhalla. I don’t promise that these reviews will be as good or as regular as his, but I will dedicate this first one to him. Go over to his site. He’s reviewed sixty-three podcasts (including Archangel: Valley of the Shadow).

So, onto the review for The Guerrilla Poet by Keith Hughes.

Synopsis: What if by simply Writing a Word you could build a wall, light a fire, or cloud someone’s mind? In an environment like this Alan Porter struggles to use his talents to overthrow a totalitarian government that controls the masses by controlling Words. Access to Writing materials is restricted, and creating Verse without a license is severely punished. Raised in this atmosphere of systematic censorship, Alan heeds the irresistible call of Words to create a better world.

Now Alan gathers people who will fight with him to bring about a society based on freedom. In a war where the weapons are stylus, paper, and Words, he is the only one who can lead the battle and show the way to victory, a fight that Alan Porter wages even long after his death, because he is the Guerrilla Poet.

Production: The audio quality is good and he does use some musical cues and some light effects. In a world where podcasters seem to go overboard on these things, I like a light touch.

Grade: B

Cast: This is a straight read a la Scott Sigler. For those of you not “in the know” on the reference that means that Mr. Hughes, like Mr. Sigler, does give each character their own inflection and tone. While I wouldn’t say that Hughes is anything like a voice actor, I can say that this didn’t detract from the story and did serve to distinguish characters. His reading of the narration is done in his own voice and his reading style is what I would call a bit soothing. Perhaps not ideal for a story that involves a fair amount of tension.

Grade: B

Story: This is a story within a story. While the synopsis would lead you to believe that this story is all about Alan Porter, the titular poet, there is a framing device around it. I think that this story would have worked better simply as the story of Porter, told in first person perhaps, that served as a prequel for what’s going on in the “here and now” world of Trev Haroldson. The frame seems to weaken both stories a little. The villains were also more than a little two-dimensional. Still, there’s a strong dystopian sci-fi vibe with a dash of fantasy and I like the characters and end up caring about them all. That goes a long way towards smoothing over the story cracks. I also like the world he developed and how it feels one world removed from our own.

Grade: B-

Verdict: The more podcasts I listen to the more I like to “mainline” them. That is, I wait til production finishes and consume them in large chunks. I did that with this one and it definitely had me coming back to it time and again. I would say if you’re looking for a new author this is one that deserves to be checked out. If you decide to listen, give it a few episodes, because it does get off to a little bit of a slow start.

Grade: B

I am in love.

I got a Kindle yesterday and it’s awesome. Now I didn’t do a whole lot of comparison. I know there are a bunch of awesome e-readers out there. For about twenty four hours I waffled between the Nook and the Kindle. I really don’t think there’s a wrong choice there (unless you were really offended by the 1984 debacle). My funds were limited so I went with the bare bones wifi model and it’s enough for me.

To break in the new device I loaded a few different docs on it. I put an extended version of Fetch on it for my wife to read. I also went out and grabbed a couple of e-books from Smashwords. That’s a great place to find new authors. There’s a mix of free and pay content there. I even have a few stories there. The best thing about the site is the sheer number of formats they have available. If you have a device, they have a compatible format.

The first story I grabbed was “Breakers” by Paul E. Cooley. I’m a big fan of Paul’s. In a world where most fiction classified as “horror” involves an excess of gore/sex or sparkly undead, he’s a breath of fresh air. What fiction of his I’ve read uses a degree of subtlety that I appreciate. It’s also horrific in ways that truly exemplify the word.

So what is “Breakers” about? Well I’ll use the synopsis that Paul chose. “Paranoia and anarchy are the tools of the Breakers. A Breaker agent explains his typical day in this bone-chilling, psychotic tale.” At four thousand words it goes quickly and the price tag of “FREE” is perfect. A true “review” of this is difficult without going into too much detail. I find that’s always true with short stories. Here’s what I can say. He sets up a world in this story that could easily be the one we’re living in right now. That alone makes this frightening.

Check it out and if you like it, I think you’ll enjoy his other fiction. I give it four out of five scalpels.

The second book I loaded (that wasn’t mine) was “A Ghostly Christmas Present” by Dan Sawyer. I’m also a big fan of Dan’s. This is the second story in his Clarke Lantham series. I reviewed the first one, “And Then She Was Gone”, here. What is it about winter time and “scary ghost stories”? Well whatever it is, I like it.

This is as noir as the previous entry, so if you like it, you’ll like this. Here’s the synopsis from the Smashwords page. “It’s hard to beat being thrown in an out-of-state jail on a trumped up charge as a Christmas present, but detective Clarke Lantham loves a challenge. So when he calls up his brother for help with bail, he thinks he’s prepared for the ordeal of spending a holiday weekend with relatives who put the “strange” back in “estranged.” That was his first mistake.”

This one is a bit more fun than the first, though no less dark or edgy. I read it all in one sitting and it kept me going until a quarter to one in the morning. If that’s not enough to push you in the direction of buying this, then let me see what I can do to nudge you along. In addition to being a modern noir, this is also a classic murder mystery with a twist. He makes a number of nods to Agatha Christie and/or Sir Doyle, but as with the classic noir of “And Then She Was Gone”, he adds modern sensibilities.

Dan takes the time to walk his readers through the processes Clarke uses to solve the crime, though never at the expense of pacing. There’s a dash of action, a dollop of sex (handled with humor and taste), and more than one laugh out loud moment. The only thing that really hurt the story for me were a few sections of prose early on that I had to re-read a time or two for clarity. I think $2.99 for a story that comes in at over thirty thousand words and provided me with a few hours of pure entertainment is money well spent. I give this story four and a half out of five bloody icicles.