I’m seeing something that I hope isn’t a trend on Good Reads. Two authors, both of whom have large following in the podcast community, are rating their own works. Now, I’m all for “shameless self promotion”. I learn what to do and what not to do by watching those who have gone before me, and I try to come up with my own spins. Along the way I’m bound to make mistakes and want folks to call me on it.

As a writer I know you have to believe in your work. You need to be your own drum beater, horn blower, and cheer leader. You need to work on your stuff until you think it’s good enough to send out and should talk about it to anyone who wants to listen once it’s out there. This is different though. This crosses the line into something truly shameless (shameful)?

Here’s what I know to be true. You should avoid signing up on your own message board under a pseudonym to defend yourself. You should avoid responding to your critics in a negative fashion if they rake you over the coals. And, I’d think this goes without saying, you should avoid rating and reviewing your own work.

You don’t need to “prime the pump”. If folks enjoy what you’re doing, you could certainly share with them where you’d like a review (though this probably isn’t necessary). Doing that is fine. Rating yourself, in my mind and in the mind of many I follow on twitter, is only going to make you look like a douchenozzle. That will likely lose you more fans than it will gain you.

Personally I’m on the fence at this point as to whether or not I’ll ever listen to their podcasts or buy any of their books down the road. I’m not naming names and I don’t want anyone here to either. I sent a message to one of these guys, hoping for an explanation. None has been forthcoming. I am interested in what you think, primarily if you think I’m missing some good point to this.

I was talking to a friend last night about free lance fiction writing and he asked me which genre(s) I considered to be my strongest. I replied that I didn’t know for sure and that I intended to make this a year of stretching my wings. He said that was a pretty savvy idea and was similar to the concept of what journalists did. They developed a clipbook of works so that they could display their wares.

To that end I’m gonna make a list of what I’ve done to date and the genre(s) that I consider them to fall into and some key words.

The Battle of Wildspitze – 10k word Manapunk story (fantasy/alt history)
The Behemoth – 8k word Steampunk story (sci fi/alt history)
Power in the Blood – Horror (body horror/possession/vampirism)
Fetch – Supernatural thriller (demons, Christian themed)
Vicious Cycle – Sci fi short story (bleak future, dystopian)
Piercing the Veil – Sci fi flash fiction (bright future)
Old Friends – Urban fantasy short story (werewolves, vampires, light hearted)
X Marks the Spot – Sci fi short story (YA/Middle grades)
Music Box – Fantasy short story (ghosts, eerie, light, positive)
Bitter Release – Fantasy short story (ghosts, dark, moody)
Archangel – Supernatural thriller novels (adventure, action, suspense, urban fantasy?, demons)
Ginnie Dare: Crimson Sands – Sci fi novel (space opera?, adventure, whodunit/mystery, YA/Middle Grades) Coming Soon!
The Good Doctor – Fantasy/Horror short story (Werewolves, Western, Modern fantasy?)
Changes – Horror short story (Coming of age, Werewolves, Western, Modern fantasy?)
A Good Samaritan – Horror short sotry (zombie, dark, strong female lead, action)
The Grim Reader – Horror short/flash fiction (Dark horror/fantasy, black humor)
Operation Banshee – Manapunk 8k word story (fantasy, faeire, romance, action) WIP
Bobby and His Dragon – Fantasy short story (magical realism, Middle Grades fiction)
Truth is No Stranger to Fiction – Horror/sci fi short story (dark humor) Currently Unavailable
The Last Poker Game – Fantasy short story (modern fantasy, Gaiman-ish) Currently Unavailable
Lucky is a Lady – Sci fi novel (Adventure, space opera) WIP
A Liquid Diet – Urban fantasy (action, mystery, “vampires”) WIP

I think that’s about it. So I need to decide where to aim next. Suggestions? Things you’d like to see me do?

Today I’m reviewing Fables of the Flying City by Jared Axelrod.

Synopsis: Ashe, a young woman from the streets of the flying city of Amperstam learns what it takes to be a member of the Aerial Guard, and finds herself at war with an invading empire and the rulers of the city she has sworn to protect!

Production: The audio here is very solid. Jared is a podcast pro. There’s no added production overhead.

Grade: B+

Cast: This is a straight read. Jared does most of it. There are a few episodes where he has a guest voice. All three voice actors do wonderful jobs with their segments. My favorite are the Hanner Gatling segments.

Grade: A

Story: This is a wonderful story. It’s a prequel for a graphic novel that will be coming out soon. He’s done a good job of setting up the world and characters. It has a very pulp, steampunk feel, but this isn’t just our world with gears tacked on. There’s some definite mystery here and this world is a different place than our own. Ashe, the protagonist is a wonderful character that we see grow and change, but as can happen from time to time, there’s an ancillary character that steals the show when she’s on stage: the afore mentioned Hanner Gatling. I’d kill for a Hanner-centric story.

Grade: A+

Verdict: This is a podcast to not be missed. I had the pleasure of being at the launch party at Balticon last year and I can say that it lived up to my own internal hype. Fair warning for those who don’t like short episodes, I think most of these clock in at about ten minutes each. Still, it’s done now so you can mainline it!

Grade: A

I’ve been thinking a lot about editing lately. I’m an editor for Flying Island Press and I’ve been doing some self-publishing (though not everyone agrees that that’s what I’m doing) which, best case scenario, involves no small amount of red-lining. The critics of self-publishing point out that there’s a lot of sub-par product out there. They assume, and in large part are probably right, that that’s because they aren’t professionally edited, as they would be if they were published “professionally”. It’s certainly not because authors are unaware of the need to have good eyes and skills applied to their work. One of the things that I hear again and again from my fellow creators is, “I know I need an editor, but those don’t come cheap.” So, we do the best we can and put our stuff out there.

I’m curious about a couple of things from my writer peeps. Have you used an editor for your fiction? If so, who and how much did they charge? Were they “pros”? Setting aside the raw definition of that word, I’ll define it to mean “someone who does it for a living”. Were they “semi-pros”, defined by me as “someone who charges a below market rate”? And if you did, how long did it take you to make back your investment?

If you decided not to use an editor and it was because of the perceived cost, how much would you be willing to spend? What is it “worth” to have someone look at your work if it will, to a degree, ensure a better product? I ask, in part, because I know there are people out there, in our community that are semi-pro/pro editors and I’m sure they’d like to know. I know two personally, Jenny Melzer and Allison Duncan. (Semi-pro is not an indication of quality or rate, but is based on the notion that I don’t think this is their primary source of income. No judgment on them.) I have no idea what their client base looks like, so I don’t know if the semi-pro, self-publishing authors out there are using them.

I do know that at present Allison’s rates are beyond my budget. Jenny’s are closer to the mark, but I haven’t sent her anything, yet. I’m just not sure I can justify paying her either. I’m actually kicking around the idea of forming a group to give us another, inexpensive option. But would someone, who charges less, be perceived by you as lacking in the necessary skills to justify any outlay? Is a semi-pro someone I can trust my manuscript to? What do you think?

I know my buddy advised me not to talk about numbers and that may be sound advice, so moving forward I won’t worry about them so much.

Okay, I’ll worry, but I just won’t say anything. ;-)

What I will say is, I didn’t make the numbers I wanted to. Yes, that’s a little frustrating. I set a reasonable goal, but people buying what I have to sell is out of my hands. So, I can’t let that frustrate me. As one person told me, I might see an uptick in sales there once Ginnie Dare is out. We’ll see.

Moving forward, I plan on creating recordings of some of my stories. I’ll likely put those here and on Podiobooks so that those of you who enjoy podcast fiction can enjoy them. Keep tuned to this station.

I also wanted to put a link here for “Battle of Wildspitze”, an awesome ten-thousand word short story that Zach Ricks and I wrote.

We’re writing more in that universe and plan on putting more of these stories out, maybe a print anthology of them too. We also plan on podcasting it down the road, cause we’re cool like that. I’ve also included a bit of sample text after the jump for you to have a look at.

For those that support me both in spreading the word and in buying my fiction (both are important), I thank you.

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I often worry that I try too hard or am completely bollocksing my attempts at promoting my stories. I have no formal education when it comes to marketing or promotion. The things I do know come from watching other, savvier people and even trying to do the opposite of people who have turned me off with their attempts.

So when a friend of mine took the risk (and dispensing advice, solicited or not, to a friend is always risky) of telling me what he thought of my efforts, I listened. He made the caveat to me that he’s not a marketing pro, but he does have at least a decade on me in age and experience and has done enough different things in his life to achieve some wisdom in my eyes. Some of what he had to say also came from people in his life that are/were pros.

This is what he told me (and I’m paraphrasing a little):

When I talk about the stuff I’m throwing out there, make it “Scott Roche’s thrilling novel, blah blah blah”.. third person only. It’s okay to say how great it is, IF it’s in the third person and nobody knows (except me, haha) that you wrote the ad. And when I talk about a review that a book/story I wrote got, say “X got a good review.”, not “I got a good review.”

When I post to Twitter or Facebook, don’t say “buy this now” or “my story is for sale here”. He believes that that’s off putting and it would be better to say “Download ‘Fetch’ here.” and provide the link for Amazon/Smashwords. People will know I’m selling as if it were free I’d probably say so.

He was also of the opinion that reviews don’t work so well, if they’re reviews done by someone that is a complete or relative unknown. His belief is that a good bit of cover copy goes a lot further in terms of enticing a reader to read.

He also said that I should probably never talk about sales numbers. I’d been talking some in the public stream about how low they’ve been and my efforts to improve them. I did that to endeavor to share with my fellow writers the reality of my own self publishing experience. In doing so though, it may make people think “if he’s not selling well, then maybe it’s because it’s no good”.

That’s the jist of what he said. He did go on to say that if he didn’t know me, if he weren’t close friends with me, that he would likely have blocked my feed because of what I’ve been throwing out there. I respect that. I have a higher tolerance for people pitching their stuff, but if that’s all they’re doing then I’d do the same thing. Hopefully there’s enough other stuff in my feeds that the promotion doesn’t overwhelm. For people like him, and maybe like you, even a little is too much.

I think what my buddy gave me was good, concise, commonsensical advice and maybe there’s more where that came from. Now it’s time to ask you folks, what do you think of this? What has worked for you in marketing your stuff using social media? Is he way off base? Have I annoyed you to the point where you’re ready to unfollow/block/put me in the corner? If I haven’t, has someone you follow managed to get under your skin and why? Whether you’re a self promoter or not I know a lot of people would benefit from talking about this.

sign by burienundressedblog

So here’s where we’re at contest-wise. Thanks to a couple of generous (and lovely) young ladies (and some other folks I don’t know) I have crossed the halfway point and am at fourteen sales. Only one of those ladies has sent her receipts in. So, if we do cross the twenty-seven sales line by the end of the month, she’s a dead lock to get the paperback proof of Through a Glass, Darkly

I’ve Tweeted and Facebooked and blogged about it. I’ve had people share and RT my contest. I’ve put the word on on MobileRead.com’s Forums as well as the Kindleboards. I’ve also shared it on the Kindle Facebook fan page. I’ll continue to use these methods and any others I can come up with. I’m still running into people that don’t know I’ve put stuff on Amazon and that I have a print anthology available, so I’m not reaching everyone I can. Thanks to Amazon’s limited reporting tools, I don’t know if people are downloading the samples (you can get samples of most any Amazon Kindle books delivered right to your device) or not. If you haven’t taken advantage of the samples at least, please do so. If you have and you’re just not compelled, I’d actually like to hear that.

There are still ten days left in the month. This has only gone for seven days, so there’s plenty of time. You don’t have to buy all six stories to be entered. If you’d just like to send me the money for a signed copy of the print book I can arrange that. Any help you lovely people can give me in this effort is appreciated. Blog, Tweet, and Facebook about it. Tell your friends. And for those that have done that, a great big thanks!

I’m trying out some direct sales through this site in preparation for Ginnie Dare and some other projects. So in order to test this I’ll be offering a cute little middle grades level story I’ve written that’s available nowhere else. It’s only $.49 for a story that clocks in at 3400 words. Well worth it in my opinion.

I also made the e-pub myself so I’m a bit proud of that.

A preview for those who’d like one:
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I’m taking a tip from my good buddy Rhodester. He was looking for his wife’s Dad and thanks to a blog post and some SEO-fu, they found him.

I don’t know much about SEO. That may explain why I’m still somewhat obscure on the internets. I do know that I’ve been looking for one of my best mates from High School off and on for years, ever since I first stepped foot on the electronic highways. William Hubert Hatcher, Billy to his friends and likely just plain Bill now, was one of the terrible trio that was made up of him, myself and John “Bear” Payne aka Pinakidion. We play D&D long into the night as often as we could and we were geeks to the core.

Bill, like me, moved around quite a bit as a lad. I think as an adult he was probably in the military. I’ve searched the usual places; websites dedicated to alumni, Facebook, twitter, and I’ve Googled and emailed a number of men. It doesn’t help that there’s apparently a famous photog named Bill Hatcher (that ain’t him) and someone who owns a vineyard named Bill Hatcher (that also ain’t him). I’ve no idea what he’s doing these days, obviously, but if I had to guess I’d say it involves computers, guns, or attractive wimmens. It might also involve music as Billy had the voice of an angel.

So if you know a William Huber Hatcher that attended Manteo Middle and High School in the 80′s, point him this way. If you are him, then what are you doing, EMAIL ME!

I really want to triple my sales from last month. I also want to know who’s out there buying my stories. So let’s see if I can kill two birds with one stone, shall we?

I’m getting a proof copy of this anthology in a few days. For every story you buy from here between now and the end of March, you will get one entry. Just email me at scott at scottroche.com and attach an electronic copy of your receipt from Amazon. All entries will go into a hat (possibly a real hat, possibly an electronic one) and I will draw a name. That person will receive a signed, personalized copy of the proof copy. This will be the only one of its kind in existence and will be worth at least as much as the paper it’s printed on for generations to come. The only catch? If I don’t sell at least twenty seven stories, I keep the book. There needs to be some incentive to stop my Mom from being the only winner. ;-)

Simple enough? Now go forth and buy!