Guest Post – Profanity in YA Novels by JD Savage

Today, fantasy author JD Savage will be providing his unique take on things as part of the first ever Literary Plus Blog Tour!

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What do Your Readers Expect?

A new study, a new round of hand wringing. After Brigham Young University professor Sarah Coyne released her study of popular best sellers, and found that many of them contained profanity, the writer’s internet world was all abuzz over the use and effect of profanity in YA novels.

To be sure, some books and series, like Harry Potter and Twilight, to name a few, were light on the cursing. Some others had more. Lots more. Talk of a rating system akin to movies and video games has sprung up, (again), so parents can be informed about what their children read.

The underlying sense, of course, is that profanity is a bad thing. Given the source of the study, I would go so far as to say that the use of profanity is considered immoral, (this is my take on it. Not specifically that of the good professor). There is, however, quite a bit of postulation about how kids will emulate the characters that swear, because they are depicted as “those with higher social status, better looks and more money”.

Kids swear. As with most things considered “adult”, many teens want to try them on for size, to varying degrees. There is shock value, how-much-can-I-get-away-with value and a sense of being grown up that comes with saltier talk. But, there are a couple of things that this study, and others like it, keep forgetting to mention.

First, teens are people. Every teen does not like the same things. Some will dig into a Harry Potter because it entertains them and they are okay with the fact that Harry doesn’t curse at every opportunity. If there was ever a character that had the right to drop an F-bomb, it was surely poor Harry. Others may like Gossip Girl, with its flippant use of cursing as a way of relating to the world they create for themselves. Still more may be okay with all of that, not blinking at the use, or lack of, words they hear on the school bus or at home, every day.

Another thing that gets mentioned is that cursing and profanity lead to aggressive behavior in teens. Again, it’s implied that this is a bad thing. But, what’s the opposite? Docile, compliant children who grow into docile, compliant consumers? That may be good for sales, but is that really what’s good for us as a whole? This kind of talk always reminds me of the record labeling hearings held at the behest of Tipper Gore during the 1980s. Frank Zappa’s quote, while specific to that issue, seems timeless in its implications. “There are more love songs than anything else. If songs could make you do something we’d all love one another.”

The writer has choices to make here. You can write with an eye on the current trends, hoping to score the next profanity-laced bestseller, religious university studies be damned. Or, you can go the other way, and meticulously weed out those words and phrases that creep into your character’s speech that some might find objectionable. Who knows…this may lead to the next honorable hero story that wins the hearts and minds of the world. A nun who swears like a sailor? Funny… at first, but it will surely begin to sound forced after a few instances. A four year old repeating a word heard at home? Even funnier, because it happens ALL THE TIME. A crackhead who speaks like a B-list Shakespearean actor? Maybe, but that’s a tough trait to pull off with any measure of realism.

It’s up to you, as a writer, to make your characters real to the reader and honest to the story you want to tell.

The audience is there for all types of stories. In the end, the use of profanity, or lack thereof, doesn’t make or break a story. A good story told well is a good story. Period. If you think it works for the story and will appeal to the reader you want, make your choices and stick with them. Make your next book better than your last, and it won’t matter if your characters use “dirty words” or not. Then you can flip the critics the bird and hold your head high.

12 comments
  1. This is a timely and interesting topic for me. I’m writing more in the YA zone and some of the stories have profanity and some don’t. For me it’s got more to do with the overall tone of the story. Ginnie Dare has no cursing since the audience skews younger and since the style I’m going for (50′s pulp SF) as far as I recall was similarly light on the swears.

    The “edgier” YA stuff I’m writing does have light use of profanity. I swore when I was these kids. I know that teens, even if they don’t swear in front of their parents (or at all), know the words. Reading about characters that swear isn’t going to push them over the edge imo.

    One of the things that bothers me are books that make up swear words to get a buy on this.

  2. Interesting point, JD! I hadn’t realised it until I read your post, but I don’t actually take account of the swearing in YA books. To me, it’s just language. Books are neither improved or degraded when a character swears. That’s just me, though. I’m sure there are others who would disagree and say that swearing shouldn’t be found in teen fiction because it might encourage children to swear more.

    How-and-ever, I live in Dublin. Let’s be fair: we Irish aren’t exactly known for holding back on the language. That might have something to do with why I gloss over the bad language in fiction, but it say something about books published to wider markets. You have no idea how people in each individual city or suburb will react to the language you choose to include. Some might find the swearing offensive, and others might find the lack of swearing unrealistic.

  3. Great post.

    Profanity in literature, for me, is realism. Any good writer understands that profanity in narrative can be distracting, but that if the characters use it in appropriate situations (are angry), it can make the story better by making it more life-like.

    It’s a tool like anything else we use, and shouldn’t be overused, but shouldn’t be neglected altogether, either.

    What I don’t trust is the moral motivation of those who would censor (if only to put a warning label on) books with foul language. What kind of message is that sending readers, especially young readers? That it’s not okay to be real? It’s just more of the same: “Live up to our standards or else.”

    I read to get away from that kind of stuff.

    • Scott said:

      So Dora the Explorer would benefit from more swearing? ;-)

      “My teacher is a real puta. Can you say puta?

      • If Dora fell down a flight of stairs and looked up and said “Shit!” I wouldn’t mind it.

        Dora lives a pretty non-conflicted life though, she never gets the chance to let loose XD

  4. This is a great, thought provoking post.

    I don’t really read YA nor have I done for many years now. But! I swear like a sailor and have done for many years. I know plenty of teenagers etc who also swear a lot. On one hand, I don’t like to see the curses and words lose their impact but on the other hand, they’re quite normal. I don’t see how swearing in a YA book is going to harm the readers.

    As has been said above, it adds another layer and some realism to the situation. Of course you have to be sensible though. I wouldn’t want a child of 10 or something reading a book laden with swearing. That goes without saying thought – write for realism and your audience. Which is exactly what you state and I couldn’t agree more.

  5. I have to agree with the sentiments above. Real people cuss. In my opinion, if you’re striving for realistic characters, one or more will have the habit. However, I know people in real life that say f**k in every sentence. I think in writing there needs to be a balance; obviously, even though people really do swear /that/ much, in books, it would border on ridiculous.

    I believe YA books should follow the same rules as novels written for adult audiences. Use when needed, but don’t be excessive. :)

  6. I suspect that for good writing, a character for whom every third word would have to be bleeped on air will need a little modifying, just as we don’t actually (except sometimes as parody) record all the ers, um, and like y’knows of real speech.

    I doubt there are any words in most books that my 13and 14 year old sons don’t hear all the time. Now, for cussing that really makes me notice it, Tamora Pierce will say something like “she responded with a word she’d learned from the soldiers”. Lots of room for imagination there!

    My own books don’t have cuss words, partly because I myself don’t use them a lot and am not totally comfortable, and also because my audience is all ages–including much younger kids.

    • Scott said:

      Thanks for the comment Rebecca! I like leaving things to my readers’ imagination. Many of them have dirtier minds than I do.