SHH-2012-300 Quite a while back I shouted out to the Twitterverse that I needed a new podcast novel to listen to. Shaman, Healer, Heretic by M. Terry Green came highly recommended. Did I like it? Read on.

Synopsis: Even for a techno-shaman, a kachina in the bedroom isn’t exactly part of the drill. When Olivia Lawson wakes to find one towering over her, she panics. A Hopi god visiting the real world isn’t just wrong–it’s impossible.

Or is it?

Soon Olivia learns that the kachina is the least of her worries. As she struggles to save her clients, clashes with other shamans, and fends off the attacks of real-world vigilantes, Olivia finds herself in the destructive path of a malevolent ancient force intent on leaving the spiritual realm to conquer this one.

Left with few options, Olivia is forced to defy centuries of shaman prohibitions. As she and her allies risk everything in their bid for survival, Olivia ultimately learns that the rules are there for a reason and that breaking them has a terrible cost.

Production: Solid audio all the way through. With Podiobooks that’s not surprising. This is a straight read with minimal production values.

Grade: B+

Cast: This is read by Terrry. She does an excellent job, though I must say that this is read, rather than performed. That’s okay as it’s well read. The story also helps on the rare occasion that the reading is a little on the low key side.

Grade: B-

Story: When I first started listening to this I went in blind. I don’t think I even read the above synopsis. As a result I thought that this would be a cyber-punk/Shadowrun type of story. In a way it is. The shamans in this story are able to use technology that makes working in the “multiverse” similar to the way the ‘net is portrayed in those genres of story. Whether they use technology or not, the other side and how they experience it varies from shaman to shaman.

I really enjoyed the story itself, but the characters were very well done and were perhaps stronger than the story. Not a bad thing at all. I particularly liked SK who acts as a Fixer/manager for the Shamans in his world. I’d enjoy seeing more from his perspective and perhaps even a story written completely about him. Olivia, the story’s protagonist, is likable, believable, and grows during this story. This is the first of a trilogy and I’ll be interested to see if she continues to gain depth.

There was one big thing and a couple of little things about this story that bothered me. A late reveal, where the side villains make themselves known, didn’t really work for me. Throughout the story the Big Bad, in the form of Tiamat, takes center stage. Other than a couple of scenes where we see someone working with Tiamat in the shadows, the bad guys are working entirely off stage. As a result they aren’t really very well developed. I realize that the author wanted them to be mysterious and she threw a few red herrings into the plot, but what could have been a great reveal fell flat. Part of that had to do with the brief span of time between the reveal and the conclusion of the story.

The minor problems involved two important themes that I think needed to be used more (and perhaps may in latter books). The first is the notion that shamans are treated by society at large with mistrust and in some cases hatred. I liked that and there could have been more conflict with that as its cause worked into the story. The other was the notion of old gods and old ways declining in power. This played out both with some shamans who were traditional needing to adapt and with some of the “gods” that the shamans run into in the multiverse. None of these issues detracted much from the story.

Grade: B-

Verdict: This story is a slow burn. There’s some action and no small amount of conflict, but much of the latter is interpersonal. The ‘cast runs at about eleven hours and there are times when it dragged a little. Don’t expect a rockem sockem experience and I think you’ll enjoy it.

Grade: B-

apples One of the most common ways I discover a new author is via word of mouth. Of course the question that most often comes up during the recommendation is “who are they like?”. In an effort to help you find out about some new authors, I’ve elicited some help and have some up with a list that answers that question. If you would like to add to the list feel free to sound off in the comments!

  • If you like smart, bloody horror, like the kind put out by Chuck Wendig or Clive Barker you’ll want to check out Jake Bible.
  • If Heinlein juveniles are your thing then Nathan Lowell and Mike Plested are worth checking out.
  • When Brand Gamblin’s name came up he was compared to Terry Pratchett.
  • The excellent thrillers of James Patterson are brought to mind by John Mireau’s work.
  • Jim Butcher is well known for his smart ass protagonists and you’ll find that in the works of Tee Morris.
  • If you’re a fan of Elizabeth Bear’s solid romances then have a look at Pip Ballantine.
  • If you like Robert Aspirin or RL Stine then you’ll likely enjoy JR Murdock.
  • The intimate voice, excellent 1st person POV, and wittiness of Stephen Pressfield can be found in Patrick E McLean‘s work.
  • Are you a fan of the psychological horror brought to you by Dean Koontz/Stepen King? Then have a look at Paul Cooley.

Standard disclaimers like, YMMV and analogies breaking down, apply here. But click on these folks’ names if you have any resonance with their more famous colleagues. And like I said, please add to the list in the comments!

flashpulpicon This week I’m interviewing something a little different. Up until now I’ve reviewed mostly long form fiction podcasts. Flash Pulp isn’t that. It’s an anthology podcast, but it’s no Escape Pod or Every Photo Tells. All of the stories (except for the occasional guest episode) are written by JRD Skinner. As the carnival barker says though, “But wait there’s more!”.

With the help of audio wrangler, Jessica May, and artist and voice actor, Opopanax, he brings three stories a week to your ears. And that’s not all! They’re serialized. He has ten regular story lines and the occasional one off. While the story lines are all “separate” there’s more than one peek into the other strands, letting us see the interconnectedness.

Synopsis: It’s difficult to give you a synopsis given the aforementioned nature of the podcast. I’ll just crib from the show’s about page:

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Mondays, Wednesdays and Fridays.

While Flash Pulp is obviously in the tradition of classic radio and magazine stories of the 1930s and ’40s, there exists a trinity of specific modern inspirations for this creation: Warren Ellis, and his constant pushing of format boundaries; Kris Straub, for Ichor Falls, and the persistence of his ideas when he should be focusing on things that actually make him money; and Michael Buonauro, for his work on Marvelous Bob – arguably the seed of this entire mess.

Production: The audio production is solid and reliable. Sometimes Jessica May incorporates sound effects, but overall she ensures a clean, consistent sound.

Grade: B+

Cast: Opopanax provides the voices and narration for every story. If you think writing and interconnecting ten story lines is tough, imagine having to bring these characters to life. She manages to do just that. My particular favorite when it comes to her voices, is that of the narrator from The Murder Plague. That particular storyline is a world I can see Hitchcock dreaming up. Imagine a disease that turns you into a paranoid psycopath. Now imagine that most people have it, but you can’t be sure who does until they come at you with garden shears.

Grade: A-

Story: The writing is generally very good. I’ve run across a few that didn’t work for me. When you’re talking about three hundred plus episodes, I guess that’s going to happen. My favorite part about the entire thing is the arcs JRD has built into the fabric of the universe. Most episodes are stand alone tales that fit within their own arc. Occasionally he throws a two or three parter at us.

I have my favorites. The Murder Plague is up there. I also enjoy Ruby Departed, his take on the zombie apocalypse told through the diary entries of a but kicking young women with an assegai (the Zulu spear). I also like Kar’wick. What isn’t there to like about an immense spider god bent on destroying the world?

Grade: A

Verdict: This is definitely one you need to add to your list. I recommend you start with episode one. While it’s not necessary, it’s certainly the nest option in my opinion. You could listen to each arc on their own as I do believe that there are helpful links to do that from the site.

Grade: A

Sidenote: In the spirit of full disclosure, I’ve written one of the guest episodes. I also occasionally contribute audio versions of these reviews for their weekly cast/crew/fan show. That’s right, they have a podcast about their podcast (and their hobbies and a lot of fan generated content).

theprinceofhazelandoak Today I’m reviewing The Prince of Hazel and Oak, Book 2 of the Shadowmagic series. It’s written and performed by by John Lenahan.

Synopsis: The eagerly-awaited sequel to Shadowmagic.

Having returned to the real world from Tir Na Nog at the end of the last book, our hero Conor finds himself arrested for the murder of his father.

When he explains to the cops that his dad is safe and well and enjoying life as king of a land of elves, imps and banshees they understandably think he is a nutcase.

That is until he is rescued by Celtic warriors on horseback and taken back to Tir Na Nog, accidentally bringing a policeman with him.

Once safely back in The Land, Conor finds that all is not well. His father is dying, the girl he loves is betrothed to another and a rather confused American cop is wandering around causing havoc.

It falls to our young hero, and his band of friends, to find a cure for the king. On their epic journey they encounter one of the most mystical and dangerous races in The Land, the shapeshifting Pooka, and find their fates linked in ways they could never have imagined.

The Prince of Hazel and Oak is a stunning fantasy adventure that takes fans of Shadowmagic further in to the land and brings back many of the favourite characters from the first book.

Production: The audio quality is solid. There were no repeated lines.

Grade: B

Cast: I tweeted a while back that the two best story tellers to have graced my earbuds are Nathan Lowell and John Lenahan. I’ve no doubt that John’s experiences as a stage magician and comedian play heavily into his ability to take a “straight read” and make it as magical as the plot. He does a wonderful job in bringing his story to life.

Grade: A

Story: This is one of those epic fantasy stories that gives me hope for the genre. His tagline on the novel says “Lord of the Rings for the 21st Century, Only A Lot Shorter.” I love the humor in this, but more so I love the truth. In a market that seems to be glutted with door stops that drag on forever (and a few much shorter works that seem to drag just as much), John has a work of epic fantasy that can and has made reading them (or at least listening to them) fun again.

He’s got a range of characters, old and new, that I care deeply about by the end. His world is well developed and strikes me as a good fusion of Irish folk tales and his own imagination, in the same way that Tolkien’s was a melding of Germanic myth and his own love of language and world building.

There are a few quibbles I have with the ending. Bad things happen to some of the main characters and we’re told rather than shown what happens. This is a first person narrative though, so that’s part of the point of view limitations. I do like first person for this, since it gives us a “real world” perspective into the land of Tir Na Nog. I also wanted a little more of an ending, but there is a third book so it had to leave us wanting more. And as middle books go, this was a lot more than just a bridge between the first and third.

Grade: A-

Verdict: This is one of those podcasts that owned my iPod. I listened to little else. I fast forwarded past opening and closing music because I wanted MOAR PODCAST STORY. I think that speaks for itself.

Grade: A+

Sidebar – This book has been published by Harper Collins. I’ve no idea why they are letting him give this away on Podiobooks (possibly because they’re smart enough to know how great of an audience builder that can be?). Kudos to them, though. I’ll be buying the ebooks (half the price of the paperback, again kudos to the publisher for “getting” it) for my kids.

Available on Amazon

VatAss2012 Today I’m reviewing Vatican Assassin, an audiobook/podcast novel by Mike Luoma. You can follow follow him on Twitter at https://twitter.com/MikeLuoma.

Synopsis: Bernard Campion’s friends call him “BC”. Not that he has a lot of friends. You don’t make a lot of friends when you’re an assassin. His mission: eliminate the governor of Luna Prime, Meredith McEntyre. His bosses, The Office of Papal Operations: The OPO, tell him she’s been sympathizing with the enemy, the Universal Islamic Nation (UIN). His boss? BC works for the Pope.

It’s 2109, a time of war. BC is “officially” assigned as PR man to the Vatican Mission on Luna Prime, the major city on The Moon, as his cover. Just a mild mannered, young, twenty-something priest working for the New catholic Church on public relations. But he’s really a weapon pointed at the UIN by the NcC and their Earth based allies, the Universal Trade Zone, the UTZ.

Production: I believe Mike has experience in radio. His voice is excellent and the recording quality is good. He plays a little with the audio, using reverb and other audio effects to tweak the listener experience. Perhaps my one nitpick here is that when he has explosions or other onomatopoeias, he actually says them rather than using actual sound effects. With such a broad availability of free sound effects it would have been a better experience to use those.

Grade: B-

Cast: Mike voices all of the characters. For the most part they’re variations on his own voice and are reasonably consistent. The only problem is that when it comes to emoting, every character sounds “upbeat”. Mike also sounds like he’s reading the text more than acting it out. Finally, there are a number of places where it would have been good to add a brief pause between characters speaking. Because some character voices don’t change, there are times where it’s hard to know who’s speaking. It’s a bit like reading text with no paragraph breaks.

Grade: C

Story: There are some issues with the writing in this podcast novel. First, and this is mostly a stylistic preference, he writes in present tense. That can work to lend a sense of immediacy. I’ve seen it used to good effect, but here for some reason it doesn’t work for me. It also feels like he really wanted to write this in first person, since we get BC’s internal monologue. As it is it’s written in kind of a 3rd person limited.

My biggest beef with the story is that it’s listed as a science fiction adventure. There’s definitely a science fiction element, but I never got a sense of adventure. The story of an assassin, particularly one that’s being used by the Vatican in a war torn future, should be action packed. Approximately a third of this story is dedicated to his imprisonment and subsequent theologically based brainwashing. The few times there is action it feels glossed over. This is less James Bond or even Dan Brown than it needs to be.

There’s a fair amount of strong language, itself not something I ordinarily object to, but for some reason it was particularly jarring in the second half of the story.

Grade: C-

Verdict: I had a hard time making it all the way through this podcast. It wasn’t bad. I’ve certainly experienced far worse. There were times that I really wanted to put it down, but I kept hoping that it would live up to the potential that I felt it had. The last third had glimpses of that potential. I can’t really strongly recommend this.

Grade: C

Amazon

stolen_timeToday I’m reviewing Stolen Time, an audiobook/podcast novel by Keith Hughes. You can follow follow him on Twitter at http://twitter.com/edgizmo.

Synopsis: Ness Relevant has traveled through time before. Now once again he must use his machine to confront a determined foe. Only this time his personal stakes are even higher. Threatened by his future, he must find a way to save his wife and thwart a mad-man’s schemes for world conquest, or he’ll never regain his stolen time.

Production: The recording quality is very good. The music he chose for the intro is fitting.

Grade: B

Cast: Keith does this in a “reader’s theater” style, voicing all of the characters himself. He does a good job, as he did with his prior podcast outings.

Grade: B

Story: This is the sequel to Borrowed Time (click the title for a review I wrote). If you haven’t read or listened to the first story, go check it out. This is more of a thriller with science fiction elements than a true science fiction story. Keith does a good job building tension. Ness and his wife Angie are working together. She’s been kidnapped in the future and her only hope is for her and her husband to save her and for them both to get to the bottom of why she will have been kidnapped. Sound a little confusing? Well it is a time travel story.

Truthfully, though I enjoyed this story, it illuminates some of the problems I have with the whole “time travel” trope. You often end up with a fair amount of confusion in the characters’ efforts to either set the future or past right or prevent a paradox from happening. The listeners are treated with a little more information on how it works in this world, but since Ness isn’t an expert and the only real expert died in the first book, it remains something of a mystery. What’s important to know is that at one point Ness is chasing himself through time and helps himself to save himself more than once.

The drawback to this is the deus ex machina of the PDA is used too often. Ness gets in trouble? So long as he can reach the device he’s okay. The final confrontation in the book is a good example of this and of the confusion that can result. That served to rob some of the tension that the story could have had.

So what helped me to overcome that? Angie. I really enjoyed watching her deal with her husband’s adventures in time from the first book (something she wasn’t privy to) and I like watching her get a little bloodthirsty. I’m a sucker for women who kick butt. Ness wasn’t as well developed of a character in this one as he was in the first book. Maybe the inclusion of Angie as a more active character in the book contributed to that.

Grade: B-

Verdict: There were some definite weaknesses in Stolen Time, but I did enjoy it. If you want some lighter fare with a good dose of action then this might be the podcast for you. It gets moving quickly and if time travel is your bread and butter then add it to your MP3 player today.

Grade: B

Smashwords
Amazon

IMG_20130215_140212 I have a friend in town that has a brand new recording studio! Zoo Station Studios is open for business and he’s charging $30/hour at this point. Here’s the picture of the booth that I spent some quality time in today.

By the end of the week I should have two short stories recorded. I will be putting these up for sale. I had to pay for the production, so I’ll be asking you to pony up for the product. Business is business and business must grow. That’s especially true now that I’m unemployed in the traditional sense. So, soon you’ll be able to buy versions of “With Power Comes Responsibility” and an unpublished anywhere (though soon available in e-print from Flying Island Press) story called “Stand Up Fight”.

Both of these stories weigh in at 7,000 words and that means around a half hour to forty-five minutes of audio. I was thinking of charging $1.99 for this pro-quality recording. Sound off in the comments about the cost, your interest and anything else you’d like to say. If these do well then we’re looking at a pro-quality audio versions of Archangel books one and two.

More details as they transpire!

mb-underwood-and-flinchToday I’m reviewing Underwood and Flinch, an audiobook/podcast novel by Mike Bennett. His site can be found at http://www.mikebennettpodcast.com// or follow him on Twitter at http://twitter.com/themikebennett. This novel is in the horror genre (in case you couldn’t tell.)

Synopsis: All David Flinch ever wanted was a normal life.

But when you’re a member of the Flinch family, normal has never been easy.

For hundreds of years, the eldest male Flinch has been servant and guardian to the Lord Underwood. While the Flinches have changed through the generations, Underwood, a vampire, has been eternal. David had hoped to be spared the horror of serving his family’s lord and master, but when he is summoned to the Flinch home in Spain by his dying older brother, he knows his luck has run out. Underwood must be resurrected from the grave in a ritual of human sacrifice, and David must be the man to do it. Because if he doesn’t, an even greater evil than Underwood will rise: the evil that is David’s sister.

Underwood and Flinch is an epic horror-thriller that spans the centuries. From the teeming slums of 17th Century London to an ex-pat community in modern-day Spain, this is the new novel from Mike Bennett, author of ‘One Among the Sleepless’ and ‘Hall of Mirrors’.

Production: The recording quality is excellent. I loved the music he chose. He does a bit more with music as the podcast progresses but it never gets in the way. I remember perhaps one duplicated line late in the series.

Grade: A

Cast: Mike does the narration and character voices. He does quite a broad range of accents and voices both the male and female characters. Unlike some podcasters who shall remain nameless (*cough* Scott Sigler *cough*), he does a great job.

Grade: A

Story: This podcast novel weighs in at forty-five episodes. Some of them push past the forty-five minute mark and go into an hour. It consumed my listening for a month. I didn’t listen to a single other podcast during this time. No idea what the word count on this bugger is, but it’s huge and worth (nearly) every second.

I gave some thought about what this podcast is “like”. I decided that it’s very much a soap opera. And I mean that in the best possible way. The writing could use some tweaks, but I kept coming back for the OMG moments and to find out what complete insanity the characters were up to this time. There’s incest, blood, Russian mobsters, decapitations, defenestrations, melodrama, wonderful British slang, pirates, gun fights and absolutely OCEANS of blood. I could see this working well as an HBO miniseries (and it would need to be for the language if nothing else). The whole thing is very cinematic.

Some of the typical vampire tropes are on display here (my favorite ones), but Mike’s obviously thought through them and gives them a few “real world” tweaks. I also love the idea of a human family serving their undead master throughout history. I’d love to see earlier generations of the Flinch family and the capers they got up to. There’s a sequel in the works so maybe I’ll get my wish.

Are there any weaknesses? Sure. More than once characters’ behaviors pull one eighties out of nowhere. I also got taken out of the story once or twice due to a character’s lack of reaction to the supernatural. If this gets turned into a novel it would benefit from an editor and another draft. Still, none of this kept me from coming back for more.

Grade: B

Verdict: I highly recommend this podcast. I think it actually may work better as an audio book than it might as a novel. The aforementioned cinematic quality comes out strongly in this format. Still, when this comes out in book form I’ll be buying it and this is one of those podcasts that will get my financial support down the road.

Grade: A

mom-cover-final Mr. Camp is a author whose works are new to me, though I’ve been following him on Twitter for some time. He put out some news about a sale on his books and there was one in my price range, so I snapped it up. I believe in supporting independent authors as much as I can, where I can. As a result I bring you the following review.

Alone in a crumbling manor, an aging undertaker recounts a horrifying episode from the early days of his career. When an unspeakable monster trespasses the border between life and death, the undertaker finds himself in a struggle to save the village he has sworn to serve — even if it means sacrificing his own family and faith in the process.

I wasn’t sure quite what to expect. That’s always the case with a new author. Mr. Camp’s work has come highly recommended to me by some friends, so I was pretty certain I’d enjoy it. I’m pleased to say that I was right and my friends have come through yet again. The first thing that struck me about this book was that I felt like I was reading something akin to Edgar Alan Poe’s work. This is written in first person and the melancholy narrator would fit well in Poe’s oeuvre. The further I got into it the more I saw how true this was and yet how much it was its own work.

This takes place in a world that’s much like our own and yet, like something from The Twilight Zone, has its own history, gods, and sources of conflict. I wouldn’t call this a work of fantasy or science fiction per se, but it’s a world all its own. I think that will be helpful for you going in, since for me at least it lead to a few moments of confusion. Like Poe’s works, the building sense of dread as the monster in the above description begins its unholy work, and the atmosphere that Mr. Camp builds all happen at a slow pace. I like that quite a bit. I’m a fan of the slow burn, so long as the candle doesn’t flicker out.

There’s no danger of that here. The book is short and the pace almost languid, but Mr. Camp uses that space to good effect. It’s a much richer work than stories twice its length. That also makes the few scenes of violence that much more intense. I won’t tell you what’s tearing this world apart, or why, but the reveal is more than satisfactory and he gives the tropes in play a freshness that I appreciate.

I give this book five headstones and I highly recommend that you check it out.

Amazon
Mr. Camp’s site
Podcast
Twitter

suave_rob Dan Sawyer is the most proficient author I know (personally or professionally). I’ve reviewed his Clarke Lantham series and it’s easily among my favorites of his work. He offered to send me a copy of his most recent science fiction release, so naturally I said yes.

Two X-chromosomes. One Surfboard. All Man.

Climbing Olympus Mons put him on the map, winning a gold medal in asteroid jumping got him great press, and children everywhere tune into watch every time he skydives from a space station, but Suave Rob Suarez is just getting started. Together with his stunt partner and their childhood hero, he’s gonna stage the biggest daredevil stunt the universe has ever seen:

Surf a supernova.
Or die trying.

Now for those of you who are easily confused or who don’t remember high school biology (or like me if you fall into both categories) the possession of two X chromosomes would make you a female biologically. But that’s not a typo. The protagonist of Dan’s story lives in a time that allows people to be who they want. From a young age Rob identified as a man and got most of the physical modifications to be “manlier” than any science fiction hero to date. Rob’s desire to emulate his hero Gurgle Tippler, the first man to skydive from a space station, leads him to wonder if there are no more frontiers left. When you have the brains and tech to do the nigh impossible and can have your doctor rebuild you in case you guy too far, where are the challenges?

This story is interesting to me on a couple of levels and it tackles some questions that are incredibly pertinent today. First there’s that notion that we’re running out of challenges. Like Rob discovers, that’s only true for those of us with limited imaginations. It may take time and resources that you didn’t know you had. It may also take a dash of luck and it could cost you your life if things go sour, but is it worth it? And if you find that edge, ride it for all your worth, and survive what’s next?

I’m not a risk taker by nature. The older I get though, the more I realize that there are things that I want that I won’t get risk free. So these days I take the risks, but not without doing my homework. Like Rob, I call in some expert advice and when I mess up along the way I try and make it right. The only problem with real edge seekers like Rob is, once you surf a supernova what do you do next? This book doesn’t answer that question, but maybe future books will?

Deeper than that, this story looks at identity. Ro isn’t the only character in this story that doesn’t fit into a particular mold when it comes to gender identity. Dan’s dealt with sexual politics in his books before. Usually it’s a little more subtle than it is in this one, but this was no doubt written for fun more than anything else. Still, it wasn’t an accident, or I don’t know Dan.

He’s created a character here’s that’s hyper male and the only thing he lacks is the one inherently male physical attribute. (Pssst, it’s a penis.) In spite of that “lack”, Rob managed to woo women, win bar fights, and find plenty of opportunities to stick his foot in his mouth. It’s almost as though those things aren’t dependent on the male genitalia. Hmmm.

I love the characters in this story, More than that though I love the voice it’s written in. We get this story first person and it’s hard to explain the way Rob “sounds” but it absolutely fits the story. I’m also a fan of the way that Dan works the harder sci fi elements in this story. I’m not ordinarily a fan of the harder sf since it’s usually a little dry, but this never gets near that territory.

If my ramblings haven’t clued you in I really enjoyed this. Like many of his stories, this isn’t one for the young kiddos. As I’ve outlined above, it deals with territory that’s challenging even for adults to navigate. It could be an interesting one for the teens in your life, but there are one or two scenes that are graphic in nature. My only reservation is the price. I got this for free in exchange for a review. Four dollars in exchange for something that’s barely a novelette seems a bit much. Then again it seems silly to quibble over a dollar here or there and Dan makes his living from his art. And it will take you longer to read this than it would to drink the fancy coffee that the money would buy.

I give Suave Rob’s Double-X Derring Do four and a half supernovas.